Made on Film: Analog Textures & Overlays

Some filmmakers skipped the camera entirely and painted straight onto the celluloid. This set of analog textures works the same way: paint laid on real film, scanned at full frame with the sprocket holes, dust, stray hairs, and scratches left in. The palette runs dusty and cool, with painterly strokes and soft rings of light where the emulsion caught.

Usage: album covers and gig posters, experimental editorial spreads, fashion lookbooks, music-video title cards, book jackets, and moody social sets. Apply an overlay as is for an instant analog cast, or run it through Screen, Multiply, or Overlay and mix a light pass with a dark one.

Details:

• 30 full-frame analog backgrounds;
• 30 light film overlays;
• 13 dark film overlays;
• 2500 × 4000 px each, 300 dpi, RGB;
• painted and scanned by hand.