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360
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279
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135
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121
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79
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115
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127
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85
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52
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30
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55
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40
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44
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54
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38
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29
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41
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36
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101
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204
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88
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92
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54
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125
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144
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155
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224
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291
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222
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340
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299
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51
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56
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130
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85
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62
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86
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91
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59
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51
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75
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49
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46
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- Home
- Text Effects
- Broken Text Effects
Broken Text Effects
When you need type that's been physically compromised through impact, pressure, age, and material failure, broken text effects do the job. In our collection, we cover stone and ceramic fractures, glass breakage, eroded style with missing pieces, distressed letterforms with structural damage, and glitch-adjacent digital fragmentation.
Show the damage: broken text effects
Random cracks don't read as damage. They read as a printing error. Real breakage follows material: glass shatters in radial lines from an impact point; stone and ceramic split along stress lines; concrete loses its corners before its center; digital fragmentation tiles and blocks with no physical logic at all. We build our broken effects around all these failure modes, and around the one rule that keeps them legible — take material from the edges and secondary strokes, leave the shapes that define each letter. The damage lives on adjustable layers, so you calibrate exactly how far past intact you want to go.
Types of breakage by material
- Glass shatter: radial fracture lines from an impact point, with sharp shards and splintered edges.
- Stone and ceramic crack: heavy breaks along stress lines with rough, irregular edges.
- Concrete erosion: corners and edges crumbling before the main form; the slow wear of aged material.
- Wood split: cracks running along the grain, following the direction of the fibers.
- Digital fragmentation: pixels tiling, blocking, and compressing, breakage with no physical logic at all.
Usage review & cases
A broken word already looks like it has been through something. Cracks, chips, missing pieces, torn edges, and shattered forms bring their own backstory into the composition: impact, age, pressure, collapse, violence, resistance, or time. Used in the right context, the damage becomes part of the message.
- Rock and metal music packaging, where cracked or shattered lettering can support heavier sound, aggression, and stage energy.
- Post-apocalyptic, dystopian, and horror-themed design, where broken forms can suggest decay, collapse, threat, or survival.
- Gaming titles with combat or destruction themes, especially when the typography needs to feel hit, worn, damaged, or pulled from a hostile world.
- Demolition, construction, and renovation brand work, where broken type can reference impact, tools, concrete, dust, removal, and rebuilding.
- Protest and political design, where a fractured form can make the message feel pressured, disrupted, or pushed against authority.
Legibility is what keeps the effect from falling apart. Leave enough of the letterform standing, and the viewer reads the word first, then the damage around it. Push the destruction too far, and the type stops carrying meaning and turns into debris.
Where broken text effect backfires
- Trust and care brands: finance, healthcare, and childcare work built on a shattered word literally signals things falling apart.
- Broken to rubble: take too much material and the letters stop resolving into a word, keep the defining strokes intact.
- Cracks that ignore the material: random breakage with no physical logic reads as a rendering error rather than damage.
- Thin typefaces: there's not enough mass to lose pieces and stay legible, heavy breakage on a light face is just noise.
- Functional UI and fast-read text: broken forms are too disruptive anywhere a word has to be read quickly and reliably.
Break patterns are pre-designed in the layer structure, and some files ship alternate break layers to choose from. Fully custom positioning means editing the layer masks by hand, so if placement matters, start from the file whose pattern is closest.
Broken is structural: the letterform loses pieces, cracks along stress lines, shatters. Distressed and grunge work on the surface: wear, dirt, ink loss, texture, with the shape intact. Choose broken when the concept is force or failure; choose distressed when it's age and handling.
Poorly. There isn't enough mass to lose pieces and stay legible — heavy breakage on a thin face reads as noise. Bold and display faces with substantial strokes take the damage; on a thin one, keep it very subtle.
Yes, and it usually reads stronger than the broken text alone. Concrete, paper, or grunge behind the type reinforces the material logic and places the letters in an environment instead of floating.
Rarely for functional UI, since they're too disruptive for text that has to be read fast. They're strong for game UI, though: splash screens, loading states, combat and destruction themes, where the damage is part of the mood.